Drama in God’s Work

I have risen at three o’clock this morning to write [*THIS COMMUNICATION WAS WRITTEN EARLY WEDNESDAY MORNING, DECEMBER 26, 1888, AND RELATED TO A CHRISTMAS PROGRAM* PUT ON BY THE BATTLE CREEK SABBATH SCHOOL. THE CHILDREN WORE COSTUMES. ELLA M. WHITE, MRS. WHITE’S SIX-YEAR-OLD GRANDDAUGHTER, WAS IN THE PROGRAM, DRESSED TO TYPIFY AN ANGEL.] you a few lines. I was pleased with the lighthouse, and the scene which had required so much painstaking effort was one which could have been made most impressive, but failed to be made as forcible and striking as it might have been when it cost so much time and labor in preparing it. The part acted by the children was good. The reading was appropriate. Then if there had been good, solid talk on that occasion in regard to children and teachers in the Sabbath schools laboring earnestly for the salvation of the souls of the children under your charge, presenting the most acceptable offering to Jesus, the gift of their own hearts, and impressive remarks, short and right to the point, [on] how they could do this, would it not have been in keeping with the work we have been trying to do in the church?

Every stroke now should be in harmony for the one great purpose, preparing of the hearts, that individually pupils and teachers should be as a light set on a candlestick that it may give light to all that are in the house, which would be carrying out the idea strikingly of a lighthouse guiding souls that they may not make shipwreck of faith. Can you tell me what marked impression the two poems rehearsed by the two ladies on the stand would have to do with this work?

The singing was after the order we would expect it to be in any theatrical performance, but not one word to be distinguished. Certainly the tempest-tossed ship would be wrecked upon the rocks if there were no more light coming from the lighthouse than was seen in the exercises. I must say I was pained at these things, so out of order with the very work of reformation we were trying to carry forward in the church and with our institutions, that I should have felt better if I had not been present. This was an occasion that should have been gotten up not only for the Sabbath school children, but words should have been spoken that would have deepened the impression of a necessity of seeking for the favor of that Saviour who loved them and gave Himself for them. If [only] the precious hymns had been sung, “Rock of ages, cleft for me, let me hide myself in Thee,” and “Jesus lover of my soul—let me to Thy bosom fly, while the billows near me roll, while the tempest still is high.” Whose souls were inspired with new and fresh zeal for the Master in those songs sung whose virtue was in the different performances of the singer?

While these painstaking efforts were being made to get up the performances, meetings were being held of the deepest interest which should have engaged the attention, and which called for the presence of every soul lest they should lose something of the message the Master had sent to them. Now this Christmas has passed into eternity with its burden of record, and we are anxious to see the result of it. Will it make those who acted their part in it more spiritual-minded? Will it increase their sense of obligation to our heavenly Father who sent His Son into the world at such an infinite sacrifice to save fallen man from utter ruin? Was the mind awakened to grasp God because of His great love wherewith He has loved us?

We hope, now that Christmas is in the past, that those who have put forth so much painstaking effort will now manifest a decided zeal, and earnest, disinterested effort for the salvation of the souls of the teachers in the Sabbath school, that in their turn they may each labor for the salvation of the souls in their classes, to give them personal instruction as to what they must do to be saved…

The purpose and object for which literary societies are established may be good, but unless wisdom from above, and continual reliance upon God, is preserved by all, there will be a decided failure in its exerting a saving influence.

When God’s professed people voluntarily unite with the world or give men of short religious experience the preeminence in these literary societies, they do not have a high estimate of eternal things. They step over the line in the very first movement. There may be boundaries, set rules and regulations made, but notwithstanding all this, the worldly element will take the lead…

If youth, and men and women of mature age, should organize a society where Bible reading and Bible study should be made the prominent theme, dwelling upon and searching out the prophecies, and studying the lessons of Christ, there would be strength in the society. There is no book from the perusal of which the mind is so much elevated and strengthened and expanded as the Bible…

These literary societies and lyceums are almost universally exerting an influence entirely contrary to that which they claim, and are an injury to the youth. This need not be the case, but because unsanctified elements take the lead, because worldlings want matters to go to please themselves, their hearts are not in harmony with Jesus Christ; they are in the ranks of the Lord’s enemies, and they will not be pleased with that kind of entertainment which would strengthen and confirm the members of the society in spirituality. Low, cheap matters are brought in which are not elevating or instructive, but which only amuse…

The mind that rejects all this cheapness, and is taxed to dwell only upon elevated, ponderous, deep, and broad truths, will strengthen. A knowledge of the Bible excels all other knowledge in strengthening the intellect. If your lyceums and literary societies would be made an opportunity for searching the Bible, it would be far more an intellectual society than it can ever become through the attention being turned to theatrical performances.

Those who compose these societies, who profess to love and reverence sacred things, and yet allow the mind to come down to the superficial, to the unreal, to simple, cheap, fictitious acting, are doing the devil’s work just as surely as they look upon and unite in these scenes. Could their eyes be opened, they would see that Satan was their leader, the instigator, through agents present who think themselves to be something. But God pronounces their life and character altogether lighter than vanity.

If we regard the advantages given to us as our own, to be used according to our pleasure, to make a display, and create a sensation, the Lord Jesus, our Redeemer, is put to shame by the characters of His professed followers.

Has God given you intellect? Is it for you to manage according to your inclinations? Can you glorify God by being educated to represent characters in plays, and to amuse an audience with fables? Has not the Lord given you intellect to be used to His name’s glory in proclaiming the gospel of Christ? If you desire a public career, there is a work that you may do. Help the class you represent in plays. Come to the reality. Give your sympathy where it is needed by actually lifting up the bowed down. Satan’s ruling passion is to pervert the intellect and cause men to long for shows and theatrical performances. The experience and character of all who engage in this work will be in accordance with the food given to the mind.

The Lord has given evidence of His love for the world. There was no falsity, no acting, in what He did. He gave a living gift, capable of suffering humiliation, neglect, shame, reproach. This Christ did that He might rescue the fallen.

Many of the amusements popular in the world today, even with those who claim to be Christians, tend to the same end as did those of the heathen. There are indeed few among them that Satan does not turn to account in destroying souls. Through the drama he has worked for ages to excite passion and glorify vice. The opera, with its fascinating display and bewildering music, the masquerade, the dance, the card table, Satan employs to break down the barriers of principle and open the door to sensual indulgence. In every gathering for pleasure where pride is fostered or appetite indulged, where one is led to forget God and lose sight of eternal interests, there Satan is binding his chains about the soul.

In the seat next us in the car was an actress, evidently a woman of ability, and possessed of many good qualities, which, if devoted to the service of God, might win for her the Saviour’s commendation, “Well done, thou good and faithful servant.” This woman and myself are both actors on the stage of life, but oh, how vastly different is our work! I felt not the slightest temptation to desire her honors. I thirst not for the applause of the idle and pleasure-loving multitudes that seek the unnatural excitement of the drama.

The theater is a poor place of resort for the strengthening of virtuous principles. Rather, its influence is highly injurious to both health and morals. The lady’s attendant remarked that it was somewhat trying to be deprived of sleep night after night until two and sometimes three o’clock in the morning, and then spend a large portion of the day in bed. The divinely-appointed order of day and night is disregarded, health is sacrificed, for the amusement of those who are lovers of pleasure more than lovers of God. The effect is demoralizing to all concerned. Two or three evenings a week spent in attending balls, or theatric or operatic entertainments, will enervate both mind and body, and prevent the development of that strength of character which is essential to usefulness in society. The only safe amusements are such as will not banish serious and religious thoughts; the only safe places of resort are those to which we can take Jesus with us.

I have a message for those in charge of our work. Do not encourage the men who are to engage in this work to think that they must proclaim the solemn, sacred message in a theatrical style. Not one jot or tittle of anything theatrical is to be brought into our work. God’s cause is to have a sacred, heavenly mold. Let everything connected with the giving of the message for this time bear the divine impress. Let nothing of a theatrical nature be permitted, for this would spoil the sacredness of the work.

I am instructed that we shall meet with all kinds of experiences and that men will try to bring strange performances into the work of God. We have met such things in many places. In my very first labors the message was given that all theatrical performances in connection with the preaching of present truth were to be discouraged and forbidden. Men who thought they had a wonderful work to do sought to adopt a strange deportment and manifested oddities in bodily exercise. The light given me was, “Give this no sanction.” These performances, which savored of the theatrical, were to have no place in the proclamation of the solemn messages entrusted to us.

The enemy will watch closely and will take every advantage of circumstances to degrade the truth by the introduction of undignified demonstrations. None of these demonstrations are to be encouraged. The precious truths given us are to be spoken in all solemnity and with sacred awe.

With every truly converted soul the relation to God and to eternal things will be the great topic of life. But where, in the popular churches of today, is the spirit of consecration to God? The converts do not renounce their pride and love of the world. They are no more willing to deny self, to take up the cross, and follow the meek and lowly Jesus, than before their conversion. Religion has become the sport of infidels and skeptics because so many who bear its name are ignorant of its principles. The power of godliness has well nigh departed from many of the churches. Picnics, church theatricals, church fairs, fine houses, personal display, have banished thoughts of God. Lands and goods and worldly occupations engross the mind, and things of eternal interest receive hardly a passing notice.

It is often asked, Are literary societies a benefit to our youth? To answer this question properly, we should consider not only the avowed purpose of such societies, but the influence which they have actually exerted, as proved by experience. The improvement of the mind is a duty which we owe to ourselves, to society, and to God. But we should never devise means for the cultivation of the intellect at the expense of the moral and the spiritual. And it is only by the harmonious development of both the mental and the moral faculties that the highest perfection of either can be attained. Are these results secured by literary societies as they are generally conducted?

As the question was first stated, it would appear very narrow-minded to answer in the negative; but in every case where a literary society has been established among our people, its influence has proved to be unfavorable to religious life, and has led to backsliding from God. This has been tried in Battle Creek and in other places, and the result has ever been the same. In some cases, long-standing evils have grown out of these associations…

Many literary societies are in reality young theaters on a cheap scale, and they create in the youth a taste for the stage. While writing upon this point, my eye falls upon the following striking incident from real life:

“‘It is of no use, Mrs. W., I have tried again and again, and I cannot become a Christian.’

“‘So you said a year ago, yet you thought there was nothing in the way.’

“‘I don’t think there is now, but I don’t feel any different from what I did then, and I don’t believe I ever shall be a Christian.’

…”‘I believe,’ she said hesitatingly, ‘there is one thing I cannot give up.’

“‘Give it up at once, dear.’

“‘But I can’t.’

“‘Come to Jesus first then, and he will give you the power.’

“‘I don’t want him to. I believe if I knew I should die and be lost in three weeks from tonight, I would rather be lost than give up my passion.’

“‘And what is this dearly loved thing, worth so much more than your salvation?’

“‘Oh, it isn’t worth more, only I love it more, and I can’t and won’t give it up. It’s that I—I want to be an actress; I know I have the talent; I’ve always hoped the way would open for me to go upon the stage, and I can’t help hoping so still.’

…”‘How did you come by such a taste? I am sure you do not belong to a theater-going family?’

“‘Oh no! my father and mother are Methodists; they always disapproved of the theater. I’ve been in Sunday school all my life. They used to make me sing and recite at the entertainments when I was four years old, and I acted the angel and fairy parts in the dialogues; and when I grew older, I always arranged the tableaux, charades, etc. Then I joined a set of sociables got up by our church young people. At first we did “Mrs. Jarley’s Wax-works,” and sung “Pinafore” for the benefit of the church; and then we got more ambitious, studied, and had private theatricals, and last winter we hired Mason’s Hall and gave a series of Shakespearean performances, which cleared off a large part of the church debt. But that’s only second-class work, after all. I want to do the real thing, to go upon the stage as a profession…'”

Pleasure-seeking, frivolity, and mental and moral dissipation, are flooding the world with their demoralizing influence. Every Christian should labor to press back the tide of evil, and save our youth from the influences that would sweep them down to ruin. May God help us to press our way against the current!

By the use of charts, symbols, and representations of various kinds the minister can make the truth stand out clearly and distinctly. This is a help, and in harmony with the word of God; but when the worker makes his labors so expensive that others are unable to secure from the treasury sufficient means to support them in the field, he is not working in harmony with God’s plan. The work in the large cities is to be done after Christ’s order, not after the order of a theatrical performance. It is not a theatrical performance that glorifies God, but the presentation of the truth in the love of Christ.

Among the most dangerous resorts for pleasure is the theater. Instead of being a school for morality and virtue, as is so often claimed, it is the very hotbed of immorality. Vicious habits and sinful propensities are strengthened and confirmed by these entertainments. Low songs, lewd gestures, expressions, and attitudes deprave the imagination and debase the morals. Every youth who habitually attends such exhibitions will be corrupted in principle. There is no influence in our land more powerful to poison the imagination, to destroy religious impressions, and to blunt the relish for the tranquil pleasures and sober realities of life than theatrical amusements. The love for these scenes increases with every indulgence as the desire for intoxicating drink strengthens with its use. The only safe course is to shun the theater, the circus, and every other questionable place of amusement.

An important element in educational work is enthusiasm. On this point there is a useful suggestion in a remark once made by a celebrated actor. The archbishop of Canterbury had put to him the question why actors in a play affect their audiences so powerfully by speaking of things imaginary, while ministers of the gospel often affect theirs so little by speaking of things real. “With due submission to your grace,” replied the actor, “permit me to say that the reason is plain: It lies in the power of enthusiasm. We on the stage speak of things imaginary as if they were real, and you in the pulpit speak of things real as if they were imaginary.“